自考英美文學選讀00604強人總結自學資料 (全)
轉(zhuǎn)貼-強人總結《英美文學選讀》自學資料(全)
轉(zhuǎn)貼-強人總結《英美文學選讀》自學資料(全)AmericanLiterature
Chapterone:Theromanticperiod
I.Emerson’stranscendentalismandhisattitudetowardnature:
1.TranscendentalismitisaphilosophicandliterarymovementthatflourishinNewEngland,asareactionagainstrationalismandCalvinism.Itstressedintuitiveunderstandingofgodwithoutthehelpofthechurch,andadvocatedindependenceofthemind.2.Emerson’stranscendentalism:
Theover-soulitisanall-pervadingpowergoodness,fromwhichallthingscomeandofwhichallareapart.Itisasupremerealityofmind,aspiritualunityofallbeingsandareligion.Itisacommunicationbetweenanindividualsoulandtheuniversalover-soul.Andhestronglybelieveinthedivinityandinfinityofmanasanindividual,somancantotallyrelyonhimself.3.Histowardnature:
Emersonlovesnature.Hisnatureisthegarmentoftheover-soul,symbolicandmoralbound.Natureisnotsomethingpurelyofthematter,butalivewithGod’spresence.Itexerciseahealthyandrestorativeinfluenceonhumanbeings.Childrencanseenaturebetterthanadult.
II.Hawthorne’sPuritanismandhisblackvisionofman:
1.PuritanismitisthereligiousbeliefofthePuristans,whohadintendedtopurifyandsimplifythereligiousritualofthechurchofEngland.
2.hisblackvisionofmanbytheCalvinisticconceptoforiginalsin,hebelievedthathumanbeingareevilnaturedandsinful,andthissiniseverpresentinhumanheartandwillpassonegenerationtoanother.3.YoungGoodmanBrownitshowsthateveryonehassomeevilsecrets.TheinnocentandnaïveBrownisconfrontedwiththevisionofhumanevilinoneterriblenight,andthenhebecomesdistrustfulanddoubtful.Brownstandsforeveryone,whoisbornpureandhasnocontactwiththerealworld,andtheprominentpeopleofthevillageandchurch.Theycovertheirsecretsduringdailylives,andundersomecircumstancessuchasthewitch’sSabbath,theybecomewhattheyare.Evenhisclosedwife,Faith,isnoexception.SoBrownisagedinthatnight.
III.ThesymbolismofMelville’sMobby-Dick
1.Thevoyagetocatchthewhitewhaleistheoneofthemindinquestofthetruthandknowledgeofuniverse.
2.ToAhab,thewhaleisanevilcreatureortheagentofanevilforcethatcontroltheuniverse.Astoreaders,thewhaleisasymbolofphysicallimits,orasymbolofnature.Italsocanstandfortheultimatemysteryoftheuniverseandthewallbehindwhichunknownmaliciousthingsarehiding.
IV.WhitmanandhisLeavesofGrass:
1.Theme:singofthe“en-mass”andtheself/pursuitoflove,happiness,and***uallove/sometimesaboutpolitics(Drumtaps)
2.Whitman’soriginalityfirstinhisuseofthepoeticformfreeverse(i.e.poetrywithoutafixedbeatorregularrhymescheme),bymeansofwhichhebecomesconversationalandcasual.
3.Heusesthefirstpersonpronoun“I”tostressindividualism,andorallanguagetoacquiresympathyfromthecommonreader.
Chaptertwo:Therealisticperiod
I.ThecharacteranalysisandsocialmeaningofHuckFinninAdventureofHuckleberryFinnbyMarkTwainHuckisatypicalAmericanboywith“asoundheartandadeformedconscience”.Heappearstobevulgarinlanguageandinmanner,butheishonestanddecentinessence.Hisremarkableraft’sjourneydownontheMississippirivercanberegardedashisprocessofeducationandhiswaytogrowup.Atfirst,hestandsbyslavery,forheclingstotheideathatifheletsgotheslave,hewillbedamnedtogotohell.Andwhenthe“King”sellsJimformoney,HuckdecidestoinformJim’smaster.AfterhethinksofthepastgoodtimewhenJimandheareontheraftwhereJimshowsgreatcareanddeepaffectionforhim,hedecidetorescueJim.AndHuckstillthinksheiswrongwhileheisdoingtherightthing.
Huckisthesonofnatureandasymbolforfreedomandearthlypragmatism.ThroughtheeyeofHuck,theinnocentandreluctantrebel,weseethepre-CivilWarAmericansocietyfullyexposed.Twaincontraststhelifeontheriverandthelifeonthebanks,theinnocenceandtheexperience,thenatureandtheculture,thewildernessandthecivilization.
II.DaisyMillerbyHenryJames
1.Theme:ThenovelisastoryaboutAmericaninnocencedefeatedbythestiff,traditionalvaluesofEurope.JamescondemnstheAmericanfailuretoadoptexpressivemannersintelligentlyandpointoutthefalsebelievingthatagoodheartisreadilyvisibletoall.ThedeathofDaisyresultsfromthemisunderstandingbetweenpeoplewithdifferentculturalbackgrounds.
2.ThecharacteranalysisofDaisy:SherepresentstypicalAmericangirl,whoisuninformedandwithoutthematureguidance.Ignoranceandparentalindulgencecombinetofosterheassertiveself-confidenceandfiercewillfulness.ShebehavesinthesamedaringnaivewayinEuropeasshedoesathome.Whensomeoneisagainsther,shebecomesmorecontrary.Sheknowsthatshemeansnoharmandisamazedthatanyoneshouldthinkshedoes.ShedoesnotcompromisetotheEuropeanmanners.3.ThecharacteranalysisofWinterbourne:HeisaEuropeanizedAmerican,whohaslivetoolonginforeignparts.HeisveryexperienceandhasaproblemunderstandingDaisy.Heendeavorstoputherinsortofformula,i.e.toclassifyher.
III.SisterCarriebyTheodoreDreiser:
1.Theme:TheauthorinventedthesuccessofCarrieandthedownfallofHurstwoodoutofaninevitableandnaturaljudgment,becausethefittestcansurviveinacompetitive,amoralsocietyaccordingtothesocialDarwinism.
2.ThecharacteranalysisofCarrie:ShefollowstherightdirectiontoapursuitoftheAmericandream,andthecircumstancesandherdesireforabetterlifedirecttothesuccessfulgoal.Butsheisnotcontented,becausewithwealthandfame,shestillfindsherselflonely.Sheisaproductofthesociety,arealizationofthetheoryofthesurvivalofthefittest.
3.ThecharacteranalysisofHurstwood:Heisanegativeevidenceofthetheoryofthesurvivalofthefittest.Becauseheisstillconventionalandcannotthrowawaythesocialmorals,heisnotfittedtoliveinNewYork.
Chapterthree:TheModernPeriodI.EzraPoundandhistheoryofImagism
1.Theprinciples:a.directtreatmentofthething;b.touseabsolutelynowordthatdoesnotcontributetothepresentation;c.tocomposeinthesequenceofthemusical;d.tousethelanguageofcommonspeechandtheexactword;e.tocreatenewrhythms;f.absolutelyfreedominthechoiceofsubject.
2.Imagismistopresentanintellectualandemotionalcomplexinaninstantoftime.Animagisticpoemmustpresenttheobjectexactlythewaythethingisseen.Andthereadercanformtheimageoftheobjectthroughtheprocessofreadingtheabstractandconcretewords.
II.Frostandhispoetryonnature:
Frostisdeeplyinterestedinnatureandinmen’srelationshiptonature.Natureappearsasanexplicatorandamediatorformanandserveasthecenterofreferenceofhisbehavior.PeaceandordercanbefoundinFrost’spoeticalnaturalworld.Withsurfacesimplicityofhispoems,thethematicconcernsarealwayspresentedinrichsymbols.Thereforehisworkresistseasyinterpretation.
III.F.ScottFitzgeraldandhisTheGreatGatsby
1.Theme:GatsbyisAmericanEveryman.Hisextraordinaryenergyandwealthmakehimpursuethedream.HisdeathintheendpointsatthetruthaboutthewitheringoftheAmericanDream.ThespiritualandmoralsterilitythathasresultedfromthewitheredAmericanDreamisfullyrevealedinthearticle.However,althoughheisdefeated,thedreamhasgaveGatsbyadignityandasetofqualities.HishopeandbeliefinthepromiseoffuturemakeshimtheembodimentofthevaluesoftheincorruptibleAmericanDream.
2.ThecharacteranalysisofGatsby:Gatsbyisgreat,becauseheisdignifiedandennobledbyhisdreamandhismythicvisionoflife.Hehasthedesiretorepeatthepast,thedesireformoney,andthedesireforincarnationofunutterablevisiononthismaterialearth.ForGatsby,Daisyisthesoulofhisdreams.HebelievehecanregainDaisyandromanticallyrebelsoftime.Althoughhehasthewealththatcanmatchwiththeleisuredclass,hedoesnothavetheirmanners.Histragedyliesinhispossessionofanaivesenseandchivalry.
IV.ErnestHemingway’sartisticfeatures:
1.TheHemingwaycodeheroesandgraceunderpressure:
Theyhaveseenthecoldworld,andforonecause,theyboldlyandcourageouslyfacethereality.Theyhasanindestructiblespiritforhisoptimisticviewoflife.Whateveristheresultis,thearereadytolivewithgraceunderpressure.Nomatterhowtragictheendingis,theywillneverbedefeated.Finally,theywillbeprevailbecauseoftheirindestructiblespiritandcourage.2.Theicebergtechnique:
Hemingwaybelievethatagoodwriterdoesnotneedtorevealeverydetailofacharacteroraction.Theone-eighththeispresentedwillsuggestallothermeaningfuldimensionsofthestory.Thus,Hemingway’slanguageissymbolicandsuggestive.
V.ThecharacteranalysisofEmilyinARoseforEmily:
Emilyisasymbolofoldvalues,standingfortradition,dutyandpastglory.Butsheisalsoavictimtoallthoseshecaresandembrace.ThesourceofEmily’sstrangenessisfromherbornprideandself-esteem,thedomineeringbehaviorofherfatherandthebetrayalofherlover.Barricadedinherhouse,shehasfrozenthepasttoprotectherdreams.Herlifeistragicbecausethedefianceofthecommunity,herrefusaltoacceptthechangeandherextremepridehavepushedhertoabnormalityandinsanity.
擴展閱讀:自考英美文學選讀00604強人總結自學資料_(全)
轉(zhuǎn)貼-強人總結《英美文學選讀》自學資料(全)
轉(zhuǎn)貼-強人總結《英美文學選讀》自學資料(全)AmericanLiterature
Chapterone:Theromanticperiod
I.Emerson’stranscendentalismandhisattitudetowardnature:
1.TranscendentalismitisaphilosophicandliterarymovementthatflourishinNew
England,asareactionagainstrationalismandCalvinism.Itstressedintuitiveunderstandingofgodwithoutthehelpofthechurch,andadvocatedindependenceofthemind.
2.Emerson’stranscendentalism:
Theover-soulitisanall-pervadingpowergoodness,fromwhichallthingscomeandofwhichallareapart.Itisasupremerealityofmind,aspiritualunityofallbeingsandareligion.Itisacommunicationbetweenanindividualsoulandtheuniversalover-soul.Andhestronglybelieveinthedivinityandinfinityofmanasanindividual,somancantotallyrelyonhimself.
3.Histowardnature:
Emersonlovesnature.Hisnatureisthegarmentoftheover-soul,symbolicandmoralbound.Natureisnotsomethingpurelyofthematter,butalivewithGod’spresence.Itexerciseahealthyandrestorativeinfluenceonhumanbeings.Childrencanseenaturebetterthanadult.
II.Hawthorne’sPuritanismandhisblackvisionofman:
1.PuritanismitisthereligiousbeliefofthePuristans,whohadintendedtopurifyandsimplify
thereligiousritualofthechurchofEngland.
2.hisblackvisionofmanbytheCalvinisticconceptoforiginalsin,hebelievedthat
humanbeingareevilnaturedandsinful,andthissiniseverpresentinhumanheartandwillpassonegenerationtoanother.
3.YoungGoodmanBrownitshowsthateveryonehassomeevilsecrets.The
innocentandnaïveBrownisconfrontedwiththevisionofhumanevilinoneterriblenight,andthenhebecomesdistrustfulanddoubtful.Brownstandsforeveryone,whoisbornpureandhasnocontactwiththerealworld,andtheprominentpeopleofthevillageandchurch.Theycovertheirsecretsduringdailylives,andundersomecircumstancessuchasthewitch’sSabbath,theybecomewhattheyare.Evenhisclosedwife,Faith,isnoexception.SoBrownisagedinthatnight.
III.ThesymbolismofMelville’sMobby-Dick
1.Thevoyagetocatchthewhitewhaleistheoneofthemindinquestofthetruthandknowledgeofuniverse.
2.ToAhab,thewhaleisanevilcreatureortheagentofanevilforcethatcontroltheuniverse.Astoreaders,thewhaleisasymbolofphysicallimits,orasymbolofnature.Italsocanstandfortheultimatemysteryoftheuniverseandthewallbehindwhichunknownmaliciousthingsarehiding.
IV.WhitmanandhisLeavesofGrass:
1.Theme:singofthe“en-mass”andtheself/pursuitoflove,happiness,and***uallove/sometimesaboutpolitics(Drumtaps)
2.Whitman’soriginalityfirstinhisuseofthepoeticformfreeverse(i.e.poetrywithoutafixedbeatorregularrhymescheme),bymeansofwhichhebecomesconversationalandcasual.
3.Heusesthefirstpersonpronoun“I”tostressindividualism,andorallanguagetoacquiresympathyfromthecommonreader.
Chaptertwo:Therealisticperiod
I.ThecharacteranalysisandsocialmeaningofHuckFinninAdventureofHuckleberryFinnbyMarkTwainHuckisatypicalAmericanboywith“asoundheartandadeformedconscience”.Heappearstobevulgarinlanguageandinmanner,butheishonestanddecentinessence.Hisremarkableraft’sjourneydownontheMississippirivercanberegardedashisprocessofeducationandhiswaytogrowup.Atfirst,hestandsbyslavery,forheclingstotheideathatifheletsgotheslave,hewillbedamnedtogotohell.Andwhenthe“King”sellsJimformoney,HuckdecidestoinformJim’smaster.AfterhethinksofthepastgoodtimewhenJimandheareontheraftwhereJimshowsgreatcareanddeepaffectionforhim,hedecidetorescueJim.AndHuckstillthinksheiswrongwhileheisdoingtherightthing.
Huckisthesonofnatureandasymbolforfreedomandearthlypragmatism.ThroughtheeyeofHuck,theinnocentandreluctantrebel,weseethepre-CivilWarAmericansocietyfullyexposed.Twaincontraststhelifeontheriverandthelifeonthebanks,theinnocenceandtheexperience,thenatureandtheculture,thewildernessandthecivilization.II.DaisyMillerbyHenryJames
1.Theme:ThenovelisastoryaboutAmericaninnocencedefeatedbythestiff,traditionalvaluesofEurope.JamescondemnstheAmericanfailuretoadoptexpressivemannersintelligentlyandpointoutthefalsebelievingthatagoodheartisreadilyvisibletoall.ThedeathofDaisyresultsfromthemisunderstandingbetweenpeoplewithdifferentculturalbackgrounds.
2.ThecharacteranalysisofDaisy:SherepresentstypicalAmericangirl,whoisuninformedandwithoutthematureguidance.Ignoranceandparentalindulgencecombinetofosterheassertiveself-confidenceandfiercewillfulness.ShebehavesinthesamedaringnaivewayinEuropeasshedoesathome.Whensomeoneisagainsther,shebecomesmorecontrary.Sheknowsthatshemeansnoharmandisamazedthatanyoneshouldthinkshedoes.ShedoesnotcompromisetotheEuropeanmanners.
3.ThecharacteranalysisofWinterbourne:HeisaEuropeanizedAmerican,whohaslivetoolonginforeignparts.HeisveryexperienceandhasaproblemunderstandingDaisy.Heendeavorstoputherinsortofformula,i.e.toclassifyher.
III.SisterCarriebyTheodoreDreiser:
1.Theme:TheauthorinventedthesuccessofCarrieandthedownfallofHurstwoodoutofaninevitableandnaturaljudgment,becausethefittestcansurviveinacompetitive,amoralsocietyaccordingtothesocialDarwinism.
2.ThecharacteranalysisofCarrie:ShefollowstherightdirectiontoapursuitoftheAmericandream,andthecircumstancesandherdesireforabetterlifedirecttothesuccessfulgoal.Butsheisnotcontented,becausewithwealthandfame,shestillfindsherselflonely.Sheisaproductofthesociety,arealizationofthetheoryofthesurvivalofthefittest.
3.ThecharacteranalysisofHurstwood:Heisanegativeevidenceofthetheoryofthesurvivalofthefittest.Becauseheisstillconventionalandcannotthrowawaythesocialmorals,heisnotfittedtoliveinNewYork.
Chapterthree:TheModernPeriod
I.EzraPoundandhistheoryofImagism
1.Theprinciples:a.directtreatmentofthething;b.touseabsolutelynowordthatdoesnotcontributetothepresentation;c.tocomposeinthesequenceofthemusical;d.tousethelanguageofcommonspeechandtheexactword;e.tocreatenewrhythms;f.absolutelyfreedominthechoiceofsubject.
2.Imagismistopresentanintellectualandemotionalcomplexinaninstantoftime.Animagisticpoemmustpresenttheobjectexactlythewaythethingisseen.Andthereadercanformtheimageoftheobjectthroughtheprocessofreadingtheabstractandconcretewords.
II.Frostandhispoetryonnature:
Frostisdeeplyinterestedinnatureandinmen’srelationshiptonature.Natureappearsasanexplicatorandamediatorformanandserveasthecenterofreferenceofhisbehavior.PeaceandordercanbefoundinFrost’spoeticalnaturalworld.Withsurfacesimplicityofhispoems,thethematicconcernsarealwayspresentedinrichsymbols.Thereforehisworkresistseasyinterpretation.
III.F.ScottFitzgeraldandhisTheGreatGatsby
1.Theme:GatsbyisAmericanEveryman.Hisextraordinaryenergyandwealthmakehimpursue
thedream.HisdeathintheendpointsatthetruthaboutthewitheringoftheAmericanDream.ThespiritualandmoralsterilitythathasresultedfromthewitheredAmericanDreamisfullyrevealedinthearticle.However,althoughheisdefeated,thedreamhasgaveGatsbyadignityandasetofqualities.HishopeandbeliefinthepromiseoffuturemakeshimtheembodimentofthevaluesoftheincorruptibleAmericanDream.
2.ThecharacteranalysisofGatsby:Gatsbyisgreat,becauseheisdignified
andennobledbyhisdreamandhismythicvisionoflife.Hehasthedesiretorepeatthepast,thedesireformoney,andthedesireforincarnationofunutterablevisiononthismaterialearth.ForGatsby,Daisyisthesoulofhisdreams.HebelievehecanregainDaisyandromanticallyrebelsoftime.Althoughhehasthewealththatcanmatchwiththeleisuredclass,hedoesnothavetheirmanners.Histragedyliesinhispossessionofanaivesenseandchivalry.
IV.ErnestHemingway’sartisticfeatures:
1.TheHemingwaycodeheroesandgraceunderpressure:
Theyhaveseenthecoldworld,andforonecause,theyboldlyandcourageouslyfacethereality.Theyhasanindestructiblespiritforhisoptimisticviewoflife.Whateveristheresultis,thearereadytolivewithgraceunderpressure.Nomatterhowtragictheendingis,theywillneverbedefeated.Finally,theywillbeprevailbecauseoftheirindestructiblespiritandcourage.
2.Theicebergtechnique:
Hemingwaybelievethatagoodwriterdoesnotneedtorevealeverydetailofacharacteroraction.Theone-eighththeispresentedwillsuggestallothermeaningfuldimensionsofthestory.Thus,Hemingway’slanguageissymbolicandsuggestive.
V.ThecharacteranalysisofEmilyinARoseforEmily:
Emilyisasymbolofoldvalues,standingfortradition,dutyandpastglory.Butsheisalsoavictimtoallthoseshecaresandembrace.ThesourceofEmily’sstrangenessisfromherbornprideandself-esteem,thedomineeringbehaviorofherfatherandthebetrayalofherlover.Barricadedinherhouse,shehasfrozenthepasttoprotectherdreams.Herlifeistragicbecausethedefianceofthecommunity,herrefusaltoacceptthechangeandherextremepridehavepushedhertoabnormalityandinsanity.
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